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Abstract art wallpapers
Abstract art uses a visual language
of shape, form, color and line to create a composition which may exist
with a degree of independence from visual references in the world. Western art had been, from the Renaissance up to the middle of the 19th century, underpinned by the logic of perspective
and an attempt to reproduce an illusion of visible reality. The arts of
cultures other than the European had become accessible and showed
alternative ways of describing visual experience to the artist. By the
end of the 19th century many artists felt a need to create a new kind of
art which would encompass the fundamental changes taking place in
technology, science and philosophy. The sources from which individual
artists drew their theoretical arguments were diverse, and reflected the
social and intellectual preoccupations in all areas of Western culture
at that time.
Abstract art, nonfigurative art, nonobjective art, and
nonrepresentational art are loosely related terms. They are similar, but
perhaps not of identical meaning.
Abstraction indicates a departure from reality in depiction of imagery
in art. This departure from accurate representation can be slight,
partial, or complete. Abstraction exists along a continuum. Even art
that aims for verisimilitude of the highest degree can be said to be
abstract, at least theoretically, since perfect representation is likely
to be exceedingly elusive. Artwork which takes liberties, altering for
instance color and form in ways that are conspicuous, can be said to be
partially abstract. Total abstraction bears no trace of any reference to
anything recognizable. In geometric abstraction, for instance, one is unlikely to find references to naturalistic entities. Figurative art and total abstraction are almost mutually exclusive. But figurative and representational (or realistic) art often contains partial abstraction.
Both geometric abstraction and lyrical abstraction are often totally abstract. Among the very numerous art movements that embody partial abstraction would be for instance fauvism in which color is conspicuously and deliberately altered vis-a-vis reality, and cubism, which blatantly alters the forms of the real life entities depicted.
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